CV & contact

 

Johanna Bolton

Contact: johanna [at] johannabolton.com

                                                 

Education

2011-2014         BA Fine Arts, Chelsea College of Art

2015-present    Member of Alt-MFA

 

Relevant Work Experience

2014-2016         Visiting Tutor at Royal College of Art, Information Experience Design

 

Solo Exhibition

2018

‘Archive: Reimagining the Borough Road Collection’, Borough Road Gallery, London

 

Group Exhibitions, Performances, Residencies and Events

2018

David Bomberg Collection, Commission and Residency, London South Bank University (April- October 2018)

Koppel Project Gallery Summer Residency, London

‘This Ephemeral Matter’, Bath Fringe Arts Festival, Bath

‘This Might Be The Future’ (AltMFA), Guest Projects, London

2017

Kew Herbarium Residency (November 2017- February 2018)

‘Unknown Futures’ (AltMFA), Guest Projects, London

‘Emergency 2017’, Word of Warning, Manchester

‘Pre-sliced Orange Segments’, Light Eye Mind Gallery, London

‘Word Play’, Forest Gate Arts, London

eYEbAll presents ‘Position 2’, Project Space Wapping, London

‘Solutions’, Rotherhithe Beach Party, Art Licks Weekend

2016

‘The Observer Effect’, Hockney Gallery, Royal College of Art

‘The Other’ (RCA Feminist Society), Darwin Galleries, Royal College of Art

‘Circumbendibus’ (AltMFA), Guest Projects, London

‘PREFAB-Lab’, Bath Fringe Arts Festival, Bath

eYEbAll presents ‘Position 1′, Project Space Wapping, London

‘I TWANG’ performance at the Royal Academy, Burlington Gardens Festival

‘Elastic.’ Performative Art Research at the Nunnery Gallery, London

‘Multi-function’, online exhibition (AltMFA) GalleryELL, New York

‘States of Flux’ (AltMFA), Art Licks Weekend

‘Drawing Utopias,’ IKLECTIK Art Lab, London

2015

‘Off the shelf’, IKLECTIK Art Lab, London

‘The Motion of Matter’, The Rum Factory Project Space, London

2014

Chelsea College Degree Show

ING Discerning Eye

2013

‘Lactose 2’ image used to promote ‘Acrobat’ Short Film by Eduardo Menz, Canada

‘For Every Action there is an Equal and Opposite Reaction’, Westminster Reference Library

‘Editions’, Chelsea College Art Library, London

‘Joyless Unity’, Mori + Stein Gallery, Camberwell, London

2012

Event and publication at TATE Britain; ‘What I talk about when I talk about my thoughts’

‘Entwined’, student group exhibition at Chelsea College, London

 

Publications

‘What I talk about when I talk about my thoughts’, Group Publication and Event at TATE Britain 2012

‘The Study of Elastic Bands in R3 Euclidean Space’, Artist’s book (edition of 50), 2014

‘Circle or Oval?: Concepts, Non-identity and the Lifeworld’, Symposium: Material Others and Other Materialities, Informed Matters, IKLECTIK Labs 2016

 

Grants & Scholarships

Shortlisted for the Mead Scholarship 2013

Shortlisted for the ACME studio award 2014

 

Art works held in UAL Collection, and private collections

 

Artist Statement

I want to bounce my ideas against matter, against the human body – the resistance they meet there teach me something new every time. I am interested in how concepts and language affects human understanding of the real life-world out there – and in here. The human body is perhaps the first case of matter that has become self-aware.

I make and collect open series of objects going through change. They follow a system, sometimes rational and sometimes intuitive, but the series have no natural end – their start, end and the rules that govern their path is as personal and haphazard as any aesthetic or artistic choice may be. Artists like Mel Bochner and Sol LeWitt investigated systems, but set the rules so that the end point is given – I am interested in the awkwardness of systems where the end point remains elusive.

I work in many materials; clay, plaster, wood and plastics. The objects tend to be sculptural, human scale and tactile. Arranging the collected series becomes an investigation into the creation of meaning and narratives.

I spend a long time looking at the same object, hoping that by changing viewpoint, I will eventually discover something new. This new, ‘other,’ that I am hoping to catch, is maybe something akin to Adorno’s Nonidentity – the part of any object that eludes capture by the concept. I want to expose those parts of an object that cannot be communicated via language, to take something familiar and create something of universal strangeness.

 

 

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